“An idea, like a ghost, must be spoken to a little before it will explain itself.”
The ideas that come to each of us do so for three reasons. Firstly, we are listening. Philip Pullman said, ‘I don’t know where my ideas come from, but I know where they come to. They come to my desk, and if I’m not there, they go away again.’ My ideas are rarely this polite. Instead they arrive at their own convenience, demanding to be heard and threatening to leave if they are ignored or treated badly. So if we are to capture ideas we must be there, waiting to receive them with gratitude and accept the responsibility for their maturation.
Secondly, we are the one person who can bring that particular idea to fruition at that particular time. In his book, Dreamgates, Robert Moss tells us that according to the Australian Aborigines, ‘the big stories—the stories worth telling and retelling, the ones in which you may find the meaning of your life—are forever stalking the right teller, sniffing and tracking like predators hunting their prey in the bush.’ Each of us has a unique combination of experience and skills, of themes that resonate within us and dreams that draw us onwards and inwards. The ideas that come to us do so because somewhere in the fusion of all that makes up our selves, lies the possibility of creating something harmonious that speaks beyond our limitations. A big story. Continue reading →
‘We are called upon to do something new, to confront a no man’s land, to push into a forest where there are no well-worn paths and from which no one has returned to guide us. This is what the existentialists call the anxiety of nothingness. To live into the future means to leap into the unknown, and this requires a degree of courage for which there is no immediate precedent and which few people realize.’
The Courage to Create is not a new book but it is most certainly an extraordinary one. It was first published in 1975 though some of the chapters were developed from lectures given up to twenty years earlier. Rollo May, who died in 1994, was an American existential psychotherapist and an author of a number of books, such as Man’s Search for Himself and The Cry for Myth. In the prologue to The Courage to Create, May mentions his initial reluctance to publish this collection of lectures because they felt to him, incomplete. When he finally agreed to publish them it was because he realized that ‘this ‘unfinished’ quality is ‘part of the creative process itself’.
In this far ranging exploration of creativity, May identifies courage as the most essential ingredient of the creative act. What is courage? he asks in the title chapter. He then goes on to explore what it is not in order to bring our focus towards what it might be. No, it is not the opposite of despair nor the absence of despair but rather ‘the capacity to move ahead in spite of despair’. Courage, he says, ‘requires centeredness within our own being’. It is not rashness or bravado and neither is it a virtue or a personal value, but rather it is ‘the foundation that underlies and gives reality to all other virtues and personal values.’ May goes on to explain that the ‘word courage comes from the same stem as the French word coeur, meaning heart’. Continue reading →
Moving from being inspired by an idea to actually acting upon it is not always easy but any successful creative entity must be comfortable alternating between these two creative phases: ideation and execution.
After a year of struggling to prioritise my writing over other duties, a couple of months ago I bought a time management book called Making Ideas Happen:Overcoming the Obstacles Between Vision and Reality. I have to admit that I was not expecting it to make much of a difference to my life and I also felt slightly embarrassed by the idea of time management; as if I had anything to manage, as if I was a CEO or some sort of entrepreneur with a busy meeting schedule. And anyway, my days were already so full I couldn’t see where to squeeze anything else in without letting go of something – paid work, exercise time, family time, or even sleep; all of which I treasure. I was desperately tired and was already pushing myself too hard, ending each day with a feeling of failure because I hadn’t achieved everything I set out to do. Each day I wrote a to-do list and each day it grew longer. Write novel was always somewhere on that list but rarely was it crossed out. Once again my writing had been put on the back burner, becoming an increasingly distant dream, and unless we’re lucky enough to make a good living out of our writing, this scenario is most likely a familiar one for many of us. As Philp Roth said, ‘The road to hell is paved with works-in-progress.’
So I bought Scott Belsky’s book and sat down with a cup of tea and a good dose of skepticism. Within minutes I was hooked, despite the fact that for the most part, the world Belsky described did not resemble my own. Nevertheless, the ideas were practical and useful and possible to achieve. According to Belsky ideas only happen with organization and prioritization. In a sense this is pretty much stating the obvious but like most of us, I had never thought of the obvious. Belsky successfully tailored the obvious into practical applications that made it possible to begin making changes. I was already familiar with motivational material – books by other writers that invariably inspired and enthused me temporarily but I had never been able to translate this ‘just do it’ inspiration into just doing it.
In the realm of ideas everything depends on enthusiasm… in the real world all rests on perseverance.